Akhaan

Punjabi conversation runs on proverbs, akhaan, and on set phrases, and a speaker who cannot use them is understood but is not taken entirely seriously.

They are mostly agricultural, mostly unsentimental and often cruel. They are about weather, debt, in-laws, work, greed and the reliability of people.

A large body of them was collected in the colonial period, notably in the volumes by Captain Temple and in Punjabi collections since, and those collections are cleaned up. The working repertoire is coarser.

The same proverb often exists in Gurmukhi and Shahmukhi versions, identical in wording, on both sides of the border, which is one of the plainest demonstrations that the culture was not divided in 1947 even where the people were.

Proverbs about caste, about women and about particular communities are part of the repertoire and are used casually. A collection that leaves them out is not a collection of what Punjabis say.

This is oral literature in daily use by a hundred and forty million people and there is no comprehensive modern collection of it.

The akhaan are the working philosophy of the Punjabi countryside, compressed, rhythmic and usually agricultural in their imagery.

They are used to end an argument rather than to start one. A proverb produced at the right moment closes a discussion because there is nothing to say back to it.

The colonial collections recorded thousands of them and are the largest gathering that exists. No comprehensive modern collection with sources and variants has been made in either script.

What we don't know

  • Almost the whole living repertoire, which nobody has recorded systematically.

Where to check this

Named but not linked. These are real, findable documents. This project has not consulted them for this page.

  • Colonial-era and modern Punjabi proverb collections.

This page has not yet been read through by the editor. Treat it with more caution than the rest.

How this page was written. The text is compiled from the standard published histories and reference works, not from a document held in hand. Nobody from this project has visited the place or read the archive. The list above is where a reader can go to check it, not a record of what was consulted line by line. Dates and figures are the received account. If you hold something better, write in and it will be corrected.

This is one of 62 accounts in What the Voice Carried, the chapter of this site covering the poetry, the music and the oral tradition.