Sohni Mahiwal

Sohni was a potter's daughter at Gujrat on the Chenab. Izzat Baig, a trader from Bukhara, stayed, took work herding buffalo for her family and was called Mahiwal for it. She was married off. He lived across the river.

She swam to him at night on a baked earthen pot. Her sister-in-law replaced the baked pot with an unbaked one. It dissolved in the water and she drowned. He went in after her.

Fazal Shah's version is the best known. Hashim Shah also wrote one.

The story is fixed to a specific river at a specific town, and the Chenab in Punjabi poetry is the river of drowned lovers because of it.

A shrine said to be theirs stands at Shahdadpur in Sindh, downstream, where the bodies are held to have been recovered. Gujrat claims the story and Sindh holds the grave.

The qissa turns on the substitution of an unbaked pot for the baked one. The pot dissolves in the water and both drown, and the story ends without any reconciliation of the families.

Izzat Baig is remembered as Mahiwal because he took work as a buffalo herd to stay near her. The name means the one with the buffaloes.

Gujrat district's pottery, the reason for her family's trade in the story, was a real industry and the town is known for it still.

What we don't know

  • Whether the Shahdadpur shrine has any relation to the story beyond the tradition.

Where to check this

Named but not linked. These are real, findable documents. This project has not consulted them for this page.

  • Fazal Shah, Sohni Mahiwal.
  • Hashim Shah's version.

This page has not yet been read through by the editor. Treat it with more caution than the rest.

How this page was written. The text is compiled from the standard published histories and reference works, not from a document held in hand. Nobody from this project has visited the place or read the archive. The list above is where a reader can go to check it, not a record of what was consulted line by line. Dates and figures are the received account. If you hold something better, write in and it will be corrected.

This is one of 62 accounts in What the Voice Carried, the chapter of this site covering the poetry, the music and the oral tradition.