The mirasi

The mirasi was the village genealogist and musician: a Muslim hereditary performer attached to particular families, who kept and recited their lineages at weddings and other occasions, played the dhol, sang, and was paid in grain and gifts.

The word comes from mirath, inheritance, because what he held was the family's inheritance of names.

A mirasi could recite a household's descent for many generations and it was his professional standing to be accurate. That was the genealogical record of a largely unlettered society and it was oral.

In 1947 the mirasis left Indian Punjab almost entirely, with the rest of the Muslim population. The families they served kept the land and lost the record.

What that removed from the villages of Indian Punjab has never been assessed. A very large number of Punjabi families cannot trace themselves past three or four generations and the reason is that the man who could was in Pakistan by October 1947.

In Pakistani Punjab the mirasi tradition continues in reduced form, and the word has also become a term of contempt.

The mirasi held the family's genealogy in memory, sang it at weddings and at funerals, and was paid by the families whose record he kept.

They were Muslim and almost all of them went to Pakistan in 1947. What went with them was the oral genealogical record of most Punjabi families.

The word is used as an insult now in Punjabi. A community that carried the memory of everybody else's ancestors is remembered mainly in a slur.

What we don't know

  • What was lost in 1947 in genealogical terms. Effectively all of it, and nobody counted.

Where to check this

Named but not linked. These are real, findable documents. This project has not consulted them for this page.

  • Ethnographic and colonial accounts of the mirasi occupation.
  • Literature on oral genealogy in Punjab.

This page has not yet been read through by the editor. Treat it with more caution than the rest.

How this page was written. The text is compiled from the standard published histories and reference works, not from a document held in hand. Nobody from this project has visited the place or read the archive. The list above is where a reader can go to check it, not a record of what was consulted line by line. Dates and figures are the received account. If you hold something better, write in and it will be corrected.

This is one of 62 accounts in What the Voice Carried, the chapter of this site covering the poetry, the music and the oral tradition.